This week's challenge was to translate a carved design into the top of a ring. I was inspired by this bright pink 8mm CZ and couldn't resist the temptation to nestle it safely into a lily pad. The perfect pink floral accent to the top of this piece. I balled up my clay and squished it into a flat pancake the same height as the CZ. I poked a hole with a straw and sank the CZ in until the top of the clay surrounded it. I then cut out my initial shape of the lily pad and let it dry. Once bone dry, the clay is very easy to carve, especially at this thickness. I find that small diamond files are the best carving tools in this dry material. It has a similar feel to plaster carving. I began with my general design and deeper lines and then carved the more detailed texture, each time lightly scratching or "drawing" in my design before begining to file. The secret is no pressure. The tools are sharp and just need to be trusted to do their job. I added a coil to keep the eye moving around the piece and finished the ring with a liver of sulfur patina to bring out the richness of the texture.
Showing posts with label Liver of Sulfur. Show all posts
Showing posts with label Liver of Sulfur. Show all posts
Sunday, May 19, 2013
Carving in Metal Clay
Labels:
Art,
Art Clay Silver,
Botanical,
Coil Bails,
Jewelry,
lily pads,
Liver of Sulfur,
Metal Clay,
monet,
Organic,
Patina,
PMC,
Silver,
Silver Magpie Studio,
Stone Setting
Sunday, March 24, 2013
Liver of Sulfur Patina
I tend to use glass bowls when working with different chemicals in order to reduce the potential for reaction and ensure they are able to be cleaned when done. Remember, once something has been used in the art studio, it should never go back to the kitchen for food use. Liver of Sulfur should be used in a well ventilated area because it stinks (like sulfur). Either your Liver of Sulfur solution or the metal should be hot in order to improve the reaction. Depending on how strong you mix the solution, metal in the general area (like rings on the hand mixing the solution) can react to it in the air, so consider removing your own jewelry before you begin.
I dissolved a small lump (a very small pea-sized piece) of Liver of Sulfur in about a cup of very hot (not boiling) water in a glass dish. In the dish next to it I had cold water and Baking Soda to serve as a stop-bath. I ran yarn through the bails to keep my fingers clean, dropped each piece in, it only takes seconds to get a rich black, pulled them out and dropped them in the stop-bath. Liver of Sulfur has a wonderful range of iridescent blue to deepest black, so if you watch it close you can pull the piece out and stop the reaction at the exact color you are looking for. After a quick dip in the stop-bath, they are rinsed, dried and ready to be finished.
Above, you can see that the pieces have a rich black patina, so it is time to start bringing back the highlights to show all the depth in the texture. I prefer to use very fine steel wool to buff the raised areas of the piece. Below you can see a finished piece with more defined texture and antiqued look. Remember to follow the recommendations on the package for disposal of Liver of Sulfur solution once you are finished with it. The best part is that if you are unhappy with it, you can toss the piece back in the tumbler (or go at it with any variety of buffing/sanding tools) and strip the patina off to start again.
Labels:
Art,
Art Clay Silver,
craft,
Jewelry,
Liver of Sulfur,
Metal Clay,
Patina,
PMC,
Silver,
Silver Magpie Studio,
silver pendant
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