Showing posts with label FastFire BRONZclay. Show all posts
Showing posts with label FastFire BRONZclay. Show all posts

Sunday, July 6, 2014

Bronze Rings with Prong Settings


Stone setting is always an exciting technique to explore with my students since it provides them with yet another way to expand their design process.  We will typically cover pressure setting stones, bezel setting stones and (as shown above) prong setting stones.  Students were given the challenge to design a simple coil ring in Bronze Metal Clay that integrated the ends of the coil into the design, included a surface carving and incorporated prong set round CZs.  Of course, the biggest part of the challenge was that the ring had to fit a specific size (of their choice) when done.  Prong settings can be purchased anywhere you would purchase general jewelry findings.  Since we were working in metal clay, they had to specifically be bronze to fire in place in the carbon, otherwise most any other metal could be soldered in place.  The prong settings look like little crowns with a notch along the interior points.  once the piece is complete, the stone is dropped in so that it is level and aligns with the interior notch, prong pushers (or even jeweler's pliers) are used to push or squeeze the prongs tight around the stone.  As long as the notch aligns with the edge of the stone, once closed in it should be locked in place.  One of the tricky parts of prong setting with metal clay is that the setting must be deep enough to sinter with the piece, but also supported in a way that it does not sink too far in and stays level.  Prong findings come in most any standard shape and size you might purchase pre-cut stones in.  They are a great way to incorporate stones that cannot withstand the heat of a torch or a kiln. 

Sunday, October 27, 2013

Annual Guild Show


This week in the studio has been a bit of a frenzy getting ready for our Metal Clay Artisan Guild in Connecticut's Annual Show and Sale.  If you find yourself in CT next weekend, come out and join us!  Friday evening will kick with a reception to meet the artists and Saturday will bring hourly technical demonstrations for those who are interested in learning more about metal clay.  My ring featured on the front of the show card will be part of the guild display and we will all have collections of work for sale. Its a great time to meet local artists, learn more about metal clay and get started on your holiday shopping.

Demonstrations:
10:30am - Creating Textures directly in Metal Clay
11:30am - Carving Metal Clay Forms
12:30pm - Using Two-Part Molds with Metal Clay
  1:30pm - Working with Mixed Metals in Metal Clay
  2:30pm - Working with Metal Clay Coils
  3:30pm - Working with Metal Clay in Paste Form
  4:30pm - Carving Texture Plates for use with Metal Clay

Don't Forget!  Bring a non-perishable food donation to receive a raffle ticket for door prizes created by the participating artists. 



Sunday, June 2, 2013

FastFire BRONZclay Success!


After feeling a bit "burned" by base metal clays a few months ago, I went ahead and tried a new brand on the recommendation of jewelry artist Evelyn Pelati.  I went with FastFire BRONZclay by Metal Adventure and was happy with the results for a variety of reasons.  Here are a few...

To begin with the obvious, it fires fast.  It takes an hour to ramp and an hour to fire.  It is a one phase fire, so set the kiln and forget it.  I was looking for a base metal clay to use with multiple classes, so I do not always have the luxury of being able to run a multi-phase firing during my teaching schedule.  This allows me to not have to return to run a firing on my own time. 

There is the other obvious of the price, with bronze clays being around 30 cents a gram and silver clays being more than $2 a gram, it is the most economical, especially for introducing it to a large class.

The firing directions are clear and easy, particularly if this is your first attempt at base metal clays.  The descriptions of what you will find out of the kiln and what that means for your firing temperatures are also clear.  I was able to figure out my firing schedule after just two test fires, though I have had to make adjustments based on running a whole class worth of pieces at a time.

I have also been able to successfully fire in a ceramic firing vessel.  Since I am flip-flopping between silver and bronze, depending on the class, I am running multiple firings a day.  When you fire in a steel pan there is a black flake sort of fire scale that needs to be vacuumed from the kiln after your firings.  With a ceramic vessel, there is no evidence of the base metal firing.

Last, the workability of the clay has been great.  It has a silky flexibility that makes it great for draping and forgiving for students just learning to work with it.  When it dries, it is easy to reconstitute and continue working.

These were a couple of quick test pieces where the clay was rolled into scratch foam designs and run through the firing.  The bronze has a warm gold hue and nice weight once fully sintered.