Last month I shared some images from a new
series of pieces developed using clumps of moss as the base for sculptural
pendants. I am using recycled silver that has been pulverized into tiny
particles that are combined with an organic binder and water in order to make a
silver paste. I developed those hollow pieces by draping moss around
paper straws and soaking them in this paste as they hung to set up. Once
set, they were fired in a kiln which burns out the remaining moisture, moss and
binder to leave behind pure silver. This technique allows me to capture
the intricate textures that make moss so very fascinating. The most
recent pieces in this series are more dense and incorporate color.
Instead of hanging to create a hollow form, the moss is again soaked in
the silver paste, but then is "piled" on small slats of wood as it
dries. A small piece of dichroic glass is pressure set in each of them to
create a focal point. Rather than using a liver of sulfur patina of dark
gray to pronounce the surface relief, I have treated this piece with a sage
green alcohol ink that settles into the complex grooves and illuminates the
subtle depths of its surface. I am excited by the potential that continues
to unfold from this new series...
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